A traditional term in philology for a contraction within a word through the loss of a vowel sound or letter, as demonstrated, for example, in the casual pronunciation of cam(e)ra, fam(i)ly, mem(o)ry, and butt(o)ning.
Syncope is sometimes indicated in writing by an apostrophe. Deleted vowels are said to be syncopated. Adjective: syncopic.
Etymology:From the Greek, "a cutting off"
Examples and Observations:
- "PARLIAMENT is a syncopic word because the I is silent; MA'AM is also a syncopic word because the D disappears. The other words of this nature include:
AS'N: ASSOCIATIONThe act or process of making such a contraction is known as syncopation."
(O. Abootty, The Funny Side of English. Pustak Mahal, 2004)
- "The term [syncope] is most commonly applied to vowel loss, as in the common British pronunciations of medicine as /'medsin/ and of library as /'laibri/, but is sometimes extended to consonant loss, as in ever > e'er and boatswain > bosun."
(R.L. Trask, A Dictionary of Phonetics and Phonology. Routledge, 1996)
- "What are the stress conditions on syncope? The vowel that exhibits syncope must be stressless. The vowel can be at the beginning of the word. It can also occur in the middle of a word before a string of one or more stressless syllables. Thus, a word like opera almost always becomes opra, a word like general, genral, a word like chocolate, choclate. In longer words, syncope is possible as well, and more options surface. For example, respiratory can surface as respirtory or respritory."
(Michael Hammond, The Phonology of English: A Prosodic Optimality-Theoretic Approach. Oxford Univ. Press, 1999)
- Syncope in Poetry
"Syncope . . . is what we call either the omission of a consonant (as in 'ne'er') or the dropping of an unstressed vowel which is flanked by consonants:
Ill fares the land, to hastening ills a preyIn this line hastening, normally trisyllabic, is reduced by syncope to a disyllable, and the line is thus kept within its decasyllabic confines.
(Goldsmith, 'The Deserted Village')
"Poetic contractions like these are found most often in English verse composed from the Restoration to the end of the 18th century. In poetry of this period the contractions are often indicated typographically by apostrophes: e.g., hast'ning."
(Paul Fussell, Poetic Meter and Poetic Form, rev. ed. Random House, 1979)